Was picasso gay
Home / gay topics / Was picasso gay
The norm for bachelors was to pay for pleasure in the barrio gotico of Barcelona. This is particularly true of formalism which focuses on the work and not the creator. It’s weak tea compared to the swagger of Smee, well-researched, and on top of his game.
He leads with “Blue Picasso, pink Picasso, cubist Picasso, society Picasso, surreal Picasso, ceramist Picasso, late Picasso.
The idea was grounded in the artist’s childhood and in things he later said about his 1907 breakthrough, ‘Les Demoiselles d’Avignon.’ The Spaniard was interrogating, Richardson argued, ‘the atavistic misogyny toward women that supposedly lurks in the psyche of every full-blooded Andalusian male.’ “
The oeuvre, ultimately what really counts, is staggering.
It’s a maudlin tale of the pampered artist, isolated by gatekeepers, feeding on himself, and out of touch with other artists. The 1961 book, “My Life With Picasso,” by Francoise Gilot (with Carlton Lake), the mistress who bore two of his children before departing, was shocking at the time.
Problematic? He then went through his so-called blue and rose periods from 1901 to 1906, in which he depicted such things as poverty-stricken children and circus scenes, respectively. Executed with with great fluency and confidence.
.
Some will try to solve the problem of the Spaniard’s extraordinary productivity by focusing on one year in his life (‘Picasso 1906: The Turning Point’ at the Museo Nacional Centro de Arte Reina Sofia in Madrid) or even just three months (‘Picasso in Fontainebleau’ at New York’s Museum of Modern Art).Today, that once universally adored work is regarded as having been produced by a pedophile and sex tourist.
Norman Mailer and Arriana Huffington, who had no qualifications to do so, cranked out turgid and truly awful books on Picasso. But a “mess” come now. Her bedroom revelations were an opening salvo of ever more virulent character assassinations; arguably, deservedly so.
Picasso had a lifelong inability to provide support and empathy to friends, lovers and family.
Later in life, he practiced a form of Neoclassicism and recreated paintings from such masters as Diego Velázquez, Édouard Manet and Eugène Delacroix. One thinks of “Lust for Life” (1934) and “The Agony and the Ecstasy” (1965) by Irving Stone. At various times, he also incorporated Surrealist, Expressionist, Post-Impressionist, and Symbolist elements into his art.