Gay korean movie 2007

When Minsoo’s overbearing parents become increasingly devoted in-laws, they unwittingly put the fake couple’s plans into disarray and leave them scrambling to keep up the facade.

4.

Yoonhee feels torn between wanting to reach out to her old lover and fearing what she might find if she does.

9.

Kam and Lee portray two street clowns who, after recently relocating to Seoul, end up being arrested for treason after insulting the king. Yoon-ju, the fine arts student who thought she was straight due to her past relationships, finds herself smitten with the bartender, thus beginning a wholesome spiral where she questions her sexuality and the two further their relationship.

The King and The Clown (2005)

In 15th-century South Korea, street performers Jangsaeng (Kam Woosung) and Gong-gil (Lee Joongi) accidentally commit a crime after their sleazy troupe manager tries to exploit Gong-gil’s effeminate beauty by peddling him as a prostitute. But what about LGBTQ+ cinema in the country?

Park Chan-wook’s The Handmaiden was the biggest release out of Korea in 2016 and that comes with good reasons.

The film's genuine depiction of LGBTQ+ themes and characters resonated broadly, thereby securing its position as an important addition to the LGBTQ+ Korean film landscape.

7 Night Flight

Emotionally charged, Night Flight weaves a compelling narrative about a gay relationship.

The film sparked dialogue about homosexuality within a traditionally conservative society, striking a chord with a wide array of viewers.

8 Method

Innovative and gripping, Method portrays LGBTQ+ themes with finesse. Peafowl (2022)

Shin Myung (Choi Haejin) is a dancer hoping to earn some cash to fund her gender-reassignment surgery.

Method (2017)

Seasoned actor Jaeha (Park Sungwoong) and idol Youngwoo (Oh Seunghoon) are cast to play opposite each other in the same movie.

The stark differences between the two are immediately noticeable. The film's box office success and the heartening public response showcase its ability to resonate with audiences through its genuine exploration of love.

6 Moonlit Winter

Kim Hee-ae stars in 2019’sMoonlit Winter.

These are some of the best LGBTQ+ movies to come out of South Korea so far.

Updated June 2023: If you enjoy watching LGBTQ+ movies, especially ones from South Korean cinema, you'll be happy to know this article has been updated with additional content by Darren Gigool.

9 No Regret

Profound and evocative, No Regret delves into the tumultuous dynamics of a same-sex relationship between Su-min, an orphaned factory worker, and Jae-min, a wealthy businessman.

A narrative marked by director Lee Song Hee-il's sensitive storytelling and an absorbing script presents a touching portrayal of love, societal expectations, and individual identity.

Upon release, Night Flight achieved significant critical acclaim, boosting Lee Song Hee-il's standing as an influential figure in queer Korean cinema.

A powerful blend of reality and fiction emerges through story development and character portrayals, contributing depth to the narrative. Yoon, despite being a stereotypical role model for masculinity in society, harbors a big secret: he identifies as a woman and seeks to live as such.

Their newfound fortune turns dangerous as the King continues to unravel with disturbing bouts of cruelty, along with his unhealthy obsession with Gong-gil.

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When Jaemin’s mother, who dislikes his preference for the same gender, discovers their relationship, things start to get more complicated. A nuanced relationship unfolds between seasoned actor Jae-ha and idol star Young-woo within the confines of a play they are both part of. She grudgingly returns to pay her respects and is received with varying levels of acceptance and tolerance.

Her childhood friend Woogi reveals that her father’s dying wish was for Myung to dance at the ceremonial performance on the 49th day of his death and promised an inheritance for her if she fulfills his request.

As the ritual draws closer, Myung discovers truths about the people and the past that she has grown to resent, learns to quiet the turmoil within her, and makes peace with her roots.

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Mikyung, with her marriage falling apart and her son in a grave condition, is left exceedingly distraught after discovering that the relationship between Yoonho and Yongjoon extends far more than just friends.

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Meanwhile, Heungsoo (Noh Sanghyun) is a closeted gay man struggling with his identity in fear of backlash from conservative Korean society.

When Jaehee accidentally stumbles upon his secret, the two gradually develop a strong friendship that helps Heungsoo find love and acceptance in a previously daunting world.

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Katherine grew up watching Korean dramas and other Asian shows.

The two ultimately decide to take a trip in the winter to Otaru, a small Japanese town on the coast, where the past and present will slowly begin to collide. While this may be a hint of gradually changing tides, it is undeniable that massive challenges remain on the path to its warmer reception.

While independently produced projects have more freedom to explore stories and portrayals, there is still a significant lack of representation in mainstream media.