Gays on game of thrones
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The exchange between Renly and Loras also reveals the manipulative nature of their relationship, where affection and desire are intertwined with power plays and ulterior motives. She tries defending her brother in front of The Faith Militant and the High Sparrow by falsely denying him being homosexual, leading to her imprisonment along with her brother:
High Sparrow: The Faith is satisfied there is enough evidence to bring a formal trial for Ser Loras and Queen Margaery.
The effects of trauma on intimate relationships: a qualitative study with clinical couples. This viewpoint is valuable in dissecting characters such as Renly Baratheon and Ser Loras Tyrell, who frequently conceal their homosexual identities to adhere to societal norms of heteronormativity. The role of identity, particularly about gender and sexuality, is a prevalent theme in the field of queer studies and the portrayal of characters in Game of Thrones.
Sexual conquests become a metaphor for political alliances and power dynamics, suggesting that relationships and interactions between individuals are often influenced by broader socio-political contexts. I will renounce my lordship and my claims on Highgarden (crowd murmuring, gasps). Written informed consent from the patients/participants or patients/participants' legal guardian/next of kin was not required to participate in this study in accordance with the national legislation and the institutional requirements.
Author contributions
GL: Conceptualization, Data curation, Formal analysis, Investigation, Methodology, Resources, Software, Visualization, Writing – original draft, Writing – review & editing.
Sexual Deceit: The Ethics of Passing. Additionally, the paper does not provide a thorough exploration of the historical context of homosexuality in the show or its implications for society, which could offer a more comprehensive understanding of the topic. Judith Butler's theory of performativity in her book Gender Trouble published in 1990 is indispensable in comprehending identity in this context (Butler, 1990).
(S2:E9, units 27–28)
Cersei Lannister's statement, “I should have been born a man,” reflects a longing for power and agency within the constraints of patriarchal society in Westeros. doi: 10.1111/j.1467-9248.2007.00654.x
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Clapton, W., and Shepherd, L.
J. (2017). It encompasses a range of studies that examine the representation of femininity, different types of masculinity, and exploration of identities in the series, offering a comprehensive context for the present study's exploration of homosexuality. She was later killed off-screen, which many believe is a textbook definition of the ‘Bury Your Gays’ trope.
4Nymeria Sand
Nymeria Sand, one of Oberyn’s Sand Snakes, was a bisexual warrior with a whip and a fiery spirit.
We first met Yara in Season 2, and she’s only been seen in 10 episodes, but only last night did we discover that she enjoys the company of women. Loras fears that his trauma will negatively impact any potential partner or children, or he may feel incapable of providing the love and care they deserve due to his homosexuality. But Ser Loras stops him.
Ser Loras Tyrell: Your vassals are starting to snigger behind your back.
It is one of the many aspects which could contribute to the cause of homophobia.
4.4.1 Sub-theme: homosexuals as “degenerates”
In the context of homophobia, there are instances in the early seasons of the show where characters use derogatory language related to homosexuality or exhibit homophobic attitudes. By acknowledging the girls as “lucky,” Renly subtly challenges the objectification of women inherent in Robert's worldview.
Despite the narrative empowerment and cinematographic adaptations for Tyrion, the show did not treat his sex scenes the same as those of other main characters. Polit.